Sandro Botticelli
Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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Frederic Remington
Trail of the Shod Horse (mk43)

ID: 25777

Frederic Remington Trail of the Shod Horse (mk43)
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Frederic Remington Trail of the Shod Horse (mk43)


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Frederic Remington

American Painter and Sculptor, 1861-1909 American painter, sculptor, illustrator and writer. In 1878 he began his studies at the newly formed School of the Fine Arts at Yale University in New Haven, CT, remaining there until 1880. This, along with a few months at the Art Students League in New York in 1886, was his only period of formal art training. In 1881 he roamed through the Dakotas, Montana, the Arizona Territory and Texas to document an era that was fast vanishing. He returned east and in 1882 had his first drawing published (25 Feb) in Harper's Weekly. Further commissions for illustrations followed, including that for Theodore Roosevelt's Ranch Life and the Hunting Trail (New York, 1888) (see BOOK ILLUSTRATION, fig. 8).   Related Paintings of Frederic Remington :. | In from the Night Herd (mk43) | The Stranger (mk43) | The Scout:Friends or Foes (mk43) | Untitled (mk43) | The Outlier (mk43) |
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Georges de Feure
1868-1928 French designer and painter. Son of a Dutch architect and a Belgian mother, he started out as an actor, costumier and then interior decorator in Paris. In 1894 at the Galerie des Artistes Modernes he exhibited watercolours and paintings of a moderate Symbolist style, typically depicting women in a manner reminiscent of Aubrey Beardsley work. Capturing the essence of the feminine spirit became his trademark. With Eugene Gaillard and Edouard Colonna he was selected by Siegfried Bing, founder of the Galeries de l Art Nouveau, to design rooms for his Pavilion Bing at the Exposition Universelle, Paris (1900). De Feure carpets, glassware and furniture designs for the boudoir and toilette were based on the theme of woman, emphasizing delicate lines and elegant sensuality. He later left Bing gallery and, as an independent designer, created vide-poche furniture, which contained hidden marquetry compartments. This furniture suggested notions of secrecy and coquetry, themes that de Feure pursued throughout his career.
Paul Peel
(7 November 1860 - 3 October 1892) was a Canadian academic painter. Having won a medal at the 1890 Paris Salon, he became one of the first Canadian artists to receive international recognition in his lifetime. Peel was born in London, Ontario, and received his art training from his father from a young age. Later he studied under William Lees Judson and at the Pennsylvania Academy of the Fine Arts under Thomas Eakins. He later moved to Paris, France where he received art instruction at the Ecole des Beaux-Arts under Jean-Leon Gerôme and at the Academie Julian under Benjamin Constant, Henri Doucet and Jules Lefebvre. In 1882 he married Isaure Verdier and had two children with her: a son (Robert Andre, in 1886) and a daughter (Emilie Marguerite, in 1888). Peel travelled widely in Canada and in Europe, exhibiting as a member of the Ontario Society of Artists and the Royal Canadian Academy. He also exhibited at international shows like the Paris Salon, where he won a bronze medal in 1890 for his painting After the Bath. He was known for his often sentimental nudes and for his pictures of children.
Matthew Ridley Corbet,ARA
1850-1902 was a Victorian neoclassical painter who attended classes at the Slade School of Art under Alexander Davis Cooper and later at the Royal Academy Schools under Frederic Leighton, President of the Academy. Corbet went to Italy in 1880 and met Giovanni Costa, one of Leighton's friends in Rome. For the next three years he stayed and painted with Costa, eventually becoming one of the leading figures of the Macchiaioli school. He concentrated on Italian landscapes and exhibited at the Grosvenor Gallery, the New Gallery, the Royal Academy and the Paris Salon.






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